The big transcript – Part 2
And now, ladies and gentlemen, the second part of my transcript. It was harder than the other one. More words are missing and some sentence sound strange. But I’ve done what I could.
BRAVIA PAINT – BEHIND THE SCENES
THE TRANSCRIPT:
First of all, what we’re doing, what we’re really doing is filming a 66 second firework display.
missing word(s) firework being explosive with light, we’re doing with painting liquid.
We wanted to more … a little bit from the bottles… so we’re up in this place which was like fireworks, paint explosions, landmines of color.
DAVID PATTON: It’s a unique idea. It’s an iconic idea. And it’s never been done before. And it’s an attempt in a high scale.
RICHARD FLINTHAM: On the set for the shoot there were two hundred people. They can missing word(s) on the shoot. And now you get some idea of the scale of this.
There is no doubt Johnathan Glazer was absolutely the right choice for director
He knew what to keep from balls and what not to keep from balls. And he made, you know, a similar celebration expression which is much more punk with more attitude.
San fransisco needed the balls, Glasgow needed the paint, I think.
PETER RAEBURN: This whole project is about formats and I think there’s an attitude that’s has to be very liberate or quite free. We were looking at this sort of music which is quite
CHRIS WILLINGHAM: I think Glasgow is a fantastic place but the weather is a little bit of a challenge.
SIMON COOPER: After two weeks of absolutely beautiful sunny still weather, we’re back to Glasgow weather.
CHRIS WILLINGHAM: When you’ve got an entirely cloudy sky and, you know, you’ve got one of the biggest shots and two days to reset it if it goes completely wrong.
It takes a quite extraordinary director of the photograhpy to call “action” when it’s probably a hole missing word(s) in this sky.
The days approaching the shoot, I was quite nervous and I guess it wouldn’t be missing word(s) about to blow up a building in Glasgow.
The fact that you are on the set and you’re all the time like thinking you know I fail. Touch that cable that there is something go off you hope the building is not gonna be collapse in paint.
Is that a two weeks paint missing word(s).
Ok is everyone 100% ready ? missing word(s) you’re ready ? First team you’re ready ? Colors you’re ready ? You’ve got the trigger, right ? You’re all
There was no room for failure at all, it was one take for evrything, it was kind of high nerves , but very exciting.
Ok Go us! Three…
woh woh woh!
You’re not ready ?
No ! When I said “action”, Alex !
OK
DUNCAN MCWILLIAM: we have a team of 6 of us working since middle april now. And that’s this week that is starting to be signed off which is four months and a couple of weeks later. And we’ve be working solidly on it every day. Because all that technologies advance, we are still pushing the limits.
A clown, I guess is an interesting element to this because it’s not paint blowing up, it’s sort of a human moment.
PAUL WATTS: This feeling at the end of the day was that if you could set up the big moment when it missing word(s) and the whole building goes up in the rainbow colors it felt like it gave that moment even more wait and power.
We’re going through the color missing word(s) all the way to the top of the building. We’re using direct sunlight, backstreet water and it should be vibrant colored spectrum available.
It’s like a missing word(s) of color like you’ve never found.
Stand by ! Keep throwling, you’re hot.
Three, two, one…
